Professional Development at Buckingham Browne & Nichols

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Photography for BB&N viewbook update and other publications. Last week Louise and I came off a 6 week fall road trip: Boston, Buffalo, St. Louis, Memphis, Indianapolis, and back to Boston.  Throughout we were working with our client schools…and friends.  In future blogs we’ll catch up on more specifics from our experiences with each stop, but for now I’d like to point to the book ends of the trip,  Buckingham Browne & Nichols (BB&N) in Cambridge, Massachusetts.

In the beginning of October Louise and I spent a day with the BB&N preprimary (“Beginners”) through second grade faculty.  We helped them to initiate a Lead Learning Team including administration and faculty representatives to ensure that leadership was shared by all involved in this Professional Development initiative.  We focused on reorganizing some of their classrooms to demonstrate how much the environment can create contexts for dynamic, engaged learning.  We helped develop a pattern of planning meetings with protocols, where teachers could reflect on their projects and wonder about new ways to approach old studies.  When we returned five weeks later, we were struck by the changes underway.  Perhaps most impressive... at the end of the day with the whole group of about 20 teachers and administrators, two teachers, a second grade teacher and a science teacher, presented work they’d done over the past month.

The second grade teacher, Susan Kinsky, described how she transformed a typical, My Hopes and Dreams project (something she’d done every year for while…the same way) into a dynamic investigation of how personal strengths weave together in a classroom community.  What had been a one day, even one period exercise was transformed into several days of intermittent and ongoing discussions, compositions, reflections, revisions, and creative problem solving.  Their emblematic product was a “quilt” of their ideas.

Susan’s told us that her goal at the outset was to genuinely engage the students in making something meaningful and aesthetically pleasing.  She also confided that while she wanted to pull out/allow more student voice, she also wanted to maintain some control.  And, she also wanted to slow down…to allow time for thoughts and ideas to evolve.

In the end she observed that:

the students did become genuinely engaged…that  they were happy to spend more time

they used each others work for inspiration and were naturally inclined to work on a series of drafts

their images became pure and honest

they discovered cardboard for the background and the ribbon to unify the piece

their partnerships were generative…aspirational

they invented strategies for collaboration and for building consensus

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The science teacher, Maria Elana Derrien, described how she rethought an often used “unit” on drawing and reporting on a plant or animal.  Her innovation began with the idea we had planted in October, to encourage the use of many drafts.  We had shown the faculty the marvelous video of Ron Berger revisiting this idea with a group of students, looking at Austin’s ButterflySimilar to the second grade teacher’s experience, what had been a straight forward one or two period unit in science, turned into an eight session, complex investigation into individual life forms in their animal tank: entailing close observation of detail, work on multiple drafts of drawings, discovery of new resources and several drafts of summary reports.

Maria Elena shared the following reflectons:

the drawings were not so much about talent, they became more about close observation 

it became about seeing details…real observation came from themselves, not from me… they were developing a habit of mind for precision

the students enjoyed going deeper…spending more time…working harder

the students worked together naturally…they became a strong learning community

Susan and Maria Elena transformed what I think of as standard “units” into explorations/investigations that were more open to real discovery; that engendered good hard work; and that resulted in high level achievement.  Along the way, the time they spent resulted in much deeper thinking and more meaningful understanding.  And YES, the basic skills of reading, writing and logical thinking were significantly developed as well.

 

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Leaves

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When it rains it pours, or it least that is the way it seems to me.  I am referring both to creativity and the connections that have started to fire all of a sudden and all over the place in my brain and memory as well as the real rain that is now pelting down in Boston.  Last week we were in Indianapolis where I was inspired by my lovely friend and colleague, Penny Dullaghan who was all about leaves! Leaf photos, leaf prints, leaf sculptures hiding her family, even leaf constellations made from sweet gum leaves...you can see most of these on instagram. Take a look! Penny's creativity and the fun she was having rubbed off on me.

Now, I am drinking tea, staying warm inside while looking out the back kitchen windows of our city condo at the yellow maple leaves that are muted in gray mist, now falling in the steady wind.  During the last few days I have played with leaves too...collected them, lined them up, made leaf boats, photographed them, even made leaf portraits inspired by my friend and colleague, Sarah Hassing atelierista at The College School, who does this kind of work often with children.

Today, Ashley and I went to the De Cordova Museum in Lincoln, MA to join the Hawkins Centers of Learning group for a morning of messing about with water and other materials all centered around pond water and a current exhibition at the De Cordova, Walden revisited.  The Hawkins Gathering was was made up of teachers of young children, artists, botanists, engineers, museum educators, professors...such a diverse group! We had been given readings to think upon, excerpts from Thoreau's Walden, excerpts from David Hawkin's thoughts on Pond Studies and an article on learning to see.  So many perspectives to consider, so much to learn about, so much fun messing about.  We were also fortunate to visit the classrooms of  Lincoln Nursery School which is housed in the former artist studios at the museum. What a wonderful place to consider Reggio-inspired environments, provocations and student work.

One more leaf connection.  While in Indianapolis, working with IPS/Butler Lab School, I worked alongside studio teacher, Rachel Kesling to encourage a small group of kindergarten and first grade students to study some maple, tulip and oak leaves collected from around the school grounds.  What did they notice? What colors? shapes, features, textures? Could they draw contours slowly as if following a small insect crawling around the edges of the leaf and inside the structure?

Journi noticed, "There are lots of different yellows and browns, not just one...like there is a light brown, a dark brown and a medium brown."

Benjamin said, "Look at this leaf!" (a smallish, skinny oak leaf), "There is barely room for this leaf to have a middle!"

Encouraging children to look closely and describe what they see, and listening closely to what they have to say, and noting it, is a fundamental tenet for the educators in Reggio Emilia that inspires many of us.  Likewise, asking children to draw what they see with the time and the proper tools is also critical to understanding how the world works and how to really see.  By the way, have you rediscovered the third edition of The Hundred Languages of Children?  Such a rich, newly updated resource.  The last chapter by Edwards, Gandini and Forman lists 21 points about the work in Reggio Emilia for us to consider.  All of the points are provocative and worthy of much dialogue around our practice.  Among them, of course, are drawing (1), wondering (14) and group dialogue (19).  We highly recommend reading the entire new edition!

So...what are my themes in all this? Messing about, making connections, finding patterns, seeing, wondering, learning, playing, having fun, together, making beautiful work.  What could be more important?

 

 

 

 

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